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About the Design

To see more of just this artist's work use the keyword 2084.

A navy, purple, and white excursion through a time machine that stops in the 19th century and in medieval times, picks up stylistic bits from everywhere it stops. You get a little king Arthur's castle, a little art nouveau, a whole lot of William Morris era Victorian, and enough twists and tendrils to to grow a vine. Everything here that is not white is dark. There are fine black outlines surrounding the crisp white ribbons and vines. There are curved edge diamonds and heraldic shapes. There are hearts pierced by white arches. And there are organic and flowing curves. You can find trumpet bell shaped flowers if you look carefully. And you can find lots of dragon skin scale texture in backgrounds. What you can't find are the exact luminance and shades you see on your computer monitor screen. My proof is on Kona, which is a more ink absorptive fabric than some of the other offerings. The bright kelly green highlights and screaming cyan swimming pool colors of my screen are not there. Your monitor may display this differently. If exact colors and contrasts are important to you, see a test swatch on the exact fabric you are interested in, for this design because the whole thing I got back is darker in my print than on my screen. (file f06v2L2)

A navy, purple, and white excursion through a time machine that stops in the 19th century and in medieval times, picks up stylistic bits from everywhere it stops. You get a little king Arthur's castle, a little art nouveau, a whole lot of William Morris era Victorian, and enough twists and tendrils to to grow a vine. Everything here that is not white is dark. There are fine black outlines surrounding the crisp white ribbons and vines. There are curved edge diamonds and heraldic shapes. There are hearts pierced by white arches. And there are organic and flowing curves. You can find trumpet bell shaped flowers if you look carefully. And you can find lots of dragon skin scale texture in backgrounds. What you can't find are the exact luminance and shades you see on your computer monitor screen. My proof is on Kona, which is a more ink absorptive fabric than some of the other offerings. The bright kelly green highlights and screaming cyan swimming pool colors of my screen are not there. Your monitor may display this differently. If exact colors and contrasts are important to you, see a test swatch on the exact fabric you are interested in, for this design because the whole thing I got back is darker in my print than on my screen. (file f06v2L2)

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